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Maestro Kwamé Ryan’s Symphony of Belonging
By John Burton Jr.
By the time seven-year-old Kwamé Ryan looked up from his seat at Ontario Place in Canada that summer evening in 1977, his fate was sealed.
The Houston Grand Opera’s production of “Porgy and Bess” was unfolding before him — that quintessentially Black American opera about the fictional Catfish Row in South Carolina, love and loss, and Black resilience.…
